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Early and late music reaches new audiences

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2008-01-07 00:00:00 by newmusicrebloggers in New Music reBlog
...audiences via my Future Radio programme . My Inner Cities webcast , which was late both in terms of the work's year of composition and my bedtime, was just one example . From earlier times my David Munrow (photo above) feature was repeated by popular demand over Christmas, and it has just been made available as a podcast , as has my interview...
 
 
 
 
 
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LAURENCE FISHBURNE Captivates Audiences & Critics Starring in "THURGOOD" on Broadway!

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2008-06-05 15:35:00 by BIG CED in Everything BIG CED
...AUDIENCES & CRITICS in THURGOOD on BROADWAY Stellar Performance Earns Actor 2008 TONY Award Nomination for Best Performance by a Leading Actor in a Play STIRRING AND ABSORBING. LAURENCE FISHBURNE IS EFFORTLESSLY COMPELLING. 'Thurgood' may actually feel like a sweet escape to happier times, every bit as cheering (and a whole lot more...
 
 
 
 
 
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The arts - and audiences - move (really) - Philadelphia Inquirer

2008-07-10 00:00:00 by newmusicrebloggers in New Music reBlog
 
The arts - and audiences - move (really Philadelphia Inquirer, PA - Jul 9, 2008 But can anything top Helicopter String Quartet, a DVD about Karlheinz Stockhausen's work of the same title with each player performing in a separate
 
 
 
 
 
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All Indians Walk Single File

2008-07-27 00:00:00 by newmusicrebloggers in New Music reBlog
 
...audiences more regularly than I did the individual performers, and got to know them better. I ranged the city from Avery Fisher Hall to King Tut's Wa-wa Hut; if you only get your new-music fixes at, say, Miller Theater and Carnegie Hall, you may never have learned enough about audiences to realize how much, and how predictably, they can vary...
 
 
 
 
 
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Not connecting (toward a second draft)

2008-11-26 00:00:00 by newmusicrebloggers in New Music reBlog
 
...audiences love feeling connected to the performer. They respect his/her skills and dedication and musicality so they want to feel like they know the person, like they can go grab a beer with the person after wards. Talking is the quickest and easiest way to connect people, so to me it doesn't make sense not to talk with the audience and let...
 
 
 
 
 
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Not connecting (toward a second draft)

2008-11-26 00:00:00 by newmusicrebloggers in New Music reBlog
 
...audiences love feeling connected to the performer. They respect his/her skills and dedication and musicality so they want to feel like they know the person, like they can go grab a beer with the person after wards. Talking is the quickest and easiest way to connect people, so to me it doesn't make sense not to talk with the audience and let...
 
 
 
 
 
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Greetings from Hooverville

2008-07-30 00:00:00 by newmusicrebloggers in New Music reBlog
 
...Audiences prefer simple music to complex music (Yes, we're assuming you can make a clean distinction between the two.) Well, how do you know that to be true? Did you take a poll? Kind of. Audiences, in terms of tickets and recordings, buy more simple music than complex music One could argue that the larger availability of simple music makes...
 
 
 
 
 
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Rock Music History

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2007-12-07 13:53:22 by HASH0x893ca7c in RockerZone - Latest Rock News and Rock CD Reviews
...audiences could understand Blues, and rhythm and blues, were too adult, sexual, angry, and solely identified with black culture to be acceptable either emotionally or commercially without adaptation. Major record companies had for years been producing records for black audiences called race records. The emergence of rock 'n' roll signified a...
 
 
 
 
 
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Is live classical music price elastic?

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2008-02-10 00:00:00 by newmusicrebloggers in New Music reBlog
...audiences One case study suggests it would. I have already written here about the success achieved by Aldeburgh Music in building audiences for adventurous repertoire. Aldeburgh has an established policy of half-price tickets for anyone under 27, no other qualification such as student status are required although Aldeburgh also runs its own...
 
 
 
 
 
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Tom Rush - Blues, Songs and Ballads

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